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HAUTES TERRES / HIGHLANDS
by Marie-Pierre Brêtas (Year 2013/ 90 min) French with English Subtitles.
In the Brazilian Nordeste, Vanilda and her husband, along with 20 families spend 4 years occupying a camp in a remote mountain. They settle a farming community in their new lands. The collective management turns out to be an adventure more demanding than the conquest of the lands.
Entry - Free.
Swadesh Deepak's "COURT MARTIAL" A play in Hindi
Directed by Rathna Shekar Reddy
Court Martial is a gripping, engrossing and powerful play written by Swadesh Deepak. It is the story of a recruit Ramchandar who is accused of killing his senior officer and injuring another. Ramchandar's trial brings startling facts into light that questions the norms of society. This Court Martial is presided by war veteran Col. Surat Singh, accustomed to the brutality of life but is left completely unarmed and broken during the course of this trial. Ramchandar's trial is not only a fight for his life but a fight for a bigger truth. A truth that is more important than his own life.
For passes: 9885288982
Inviting you for a day-long workshop in bottle art 'Decoupage' workshop on Sat Nov 21th 10:30am-4pm with artist Sarosh Master.
Decoupage is the art of decorating objects by cutting and sticking paper with multiple coats of varnish. The result looks like painting or an inlay work of art. This technique dates back to around 18th century in France and Italy when it was considerably expensive to change household furniture.
You can use any surface for your decoupage projects and these could include: Boxes, Furniture, Plates, Bottles, Glasses, Trays, Garden Pots, Photo Frames, Vases, candles, Shoes, trinket Boxes.
The workshop familiarizes you with the basics of decoupage.
Come join the decoupage fraternity...its not just arty and crafty...it's a stress buster too.
For registration: Sarosh Master at 09849953778 or saroshmaster2000@yahoo.com
Play 1 at 7pm: "The shadow of life - Irom Sharmila". (English-Hindi)
This play is about Irom Sharmila the human rights activist “The Iron lady of Manipur”. Presenting the glimpses of her life incidents, struggle against AFSPA, and her protest against armed personnel violence for a decade, about the situation in Manipur, the inner journey of Sharmila through her struggle and factual documentation about the situation in Manipur.
Direction & Script - Sajida,
On stage - Titas Dutta, Sarika Pareek,
Light - Govind Singh Yadav,
Music & projector - Joy Maisnam.
Play 2 at 8:30pm: "The Dance and the Railroad"
This play is about the conflict between "The dance” (the value of east) versus "The Railroad" (Technology). The railroad is an apt symbol and this play construct in the master and pupil relationship. "Loya" (workman) who trained in the Manipuri Natya (acting style) for eight year before seeking his fortune on gold mountain (metaphor)( is approached by "robin" (workman) newly arrived in the working area. The young man wants to learn the secrets of the Natya. You think it's same as the workman? He challenges his pupil. But in the process of the education, the teacher learns more from the student and "loya" ultimately sees himself. In the finale "Loya" asks the pupil to help him props, symbols of his own realistic dream. The play is depicted using three martial art forms.
Design & Direction - Joy Maisnam Writer - David Henry Hwang Duration - 1hr Language - Manipuri & English.
For passes: Sajida 08130553575
This is a goo opportunity for all the vegans.
Soy milk or soya milk, is a plant milk produced by soaking certain type of dried soybeans and grinding them in water.
A traditional staple of East Asian cuisine, soy milk is a stable emulsion of oil, water and protein. Soy milk can be produced at home using a soy milk machine.
The soya available in market is not conducive to make milk out of it. So our organic expert Geeta will be carrying the needed type of Soya beans to teach and share the knowledge.
Entry Fee:300/-
For more information: 9581213939
Play 1 at 7pm: "The shadow of life - Irom Sharmila". (English-Hindi)
This play is about Irom Sharmila the human rights activist “The Iron lady of Manipur”. Presenting the glimpses of her life incidents, struggle against AFSPA, and her protest against armed personnel violence for a decade, about the situation in Manipur, the inner journey of Sharmila through her struggle and factual documentation about the situation in Manipur.
Direction & Script - Sajida,
On stage - Titas Dutta, Sarika Pareek,
Light - Govind Singh Yadav,
Music & projector - Joy Maisnam.
Play 2 at 8:30pm: "The Dance and the Railroad"
This play is about the conflict between "The dance” (the value of east) versus "The Railroad" (Technology). The railroad is an apt symbol and this play construct in the master and pupil relationship. "Loya" (workman) who trained in the Manipuri Natya (acting style) for eight year before seeking his fortune on gold mountain (metaphor)( is approached by "robin" (workman) newly arrived in the working area. The young man wants to learn the secrets of the Natya. You think it's same as the workman? He challenges his pupil. But in the process of the education, the teacher learns more from the student and "loya" ultimately sees himself. In the finale "Loya" asks the pupil to help him props, symbols of his own realistic dream. The play is depicted using three martial art forms.
Design & Direction - Joy Maisnam Writer - David Henry Hwang Duration - 1hr Language - Manipuri & English.
For passes: Sajida 08130553575
1. Pagal pagal pata chala hai - A comedy play based on the satire of current affairs.
2. Bakra the breaking news - A comedy play based on news channels.
3. Pehchan kaun - A comedy play on corruption.
The duration of the plays would be for an hour.
For passes: Rab Productions, 9000908108.
A HINDI ONE ACT PLAY - ABHAAS - YA - BHAAS
ORIGINALLY WRITTEN BY SHRI. KEDAR SHINDE
Abhaas ya bhaas is a play that depicts the problems and wishes of street boys who are deprived of minimum needs. The play
tells us the story of two boys who are spared and given a chance by yamraaj by granting them bonus of six hours and six
wishes where each wish will last for just an hour. Watch the play to find out what do the baffled boys wish for and what
happens at the end of the sixth hour. The play is a satirical take on the destitute, politicians, and the ?mango people?.
ADAPTED BY SHRI. PRAKASH PHADNIS
Directed by: Ali Ahmed
CAST: Ali Ahmed, K. rahul
The film loosely meaning 'Blood leaves a trail' made over nine years, enters the vexed political scenario in Kashmir through the lives of families of the victims of enforced disappearances. It explores memory as a mode of resistance, constantly confronting reality and morphing from the personal to the political, the individual to the collective. Struggling to find new ways of expression - storytelling, art, symbol and ritual - sometimes spilling out on to the streets, it looks at the ways in which those affected by violence have no choice but to remember. The chain of memory, often non-linear, is both their defense as well as their act of defiance against powerful instruments of the state that try to erase their individuality.
The conflict in Kashmir is among the long-standing political conflicts in the world. It has taken a heavy toll on lives, on sanity and on the idea of normality. While it has turned the Indian state coarse and brutal, it has turned the local population, recipients of several decades of unrelenting violence, defiant and angry.
The film is a non-sequential account of personal narratives and reminiscences ruptured by violence, undermined by erasure and over-ridden by official documents that challenge truth. Opening out the real and the human as against the abstract and the brutal the film seeks to confront advocates of amnesia in Kashmir as well as in other conflict zones. It questions the militaristic approach to resolve political problems, by which communities and lives within it get invaded and destroyed, even as it shatters personal dreams and desires. The film appeals for a political resolution to the Kashmir issue, which has by now affected five generations of people in the region.
Running Time: 93 minutes Production Year: 2015
Iffat Fatima is an independent filmmaker from Kashmir, based in Delhi. She started making documentary films from 1990, soon after getting her masters degree in Mass Communication from Mass Communication Research Centre, Jamia Millia Islamia, New Delhi. Her documentary films include, Lanka- the other side of war and peace (2005), which focuses on the issues of memory and violence in Sri Lanka: The Kesar Saga (2000), which explores the story telling tradition in the Himalayan region of Ladakh: In the Realm of the Visual (1998), on one of India’s most prolific and versatile artist and designer Dashrath Patel: Boojh Sakey to Boojh (1996), on the contemporary understanding of the 13th century Sufi poet and scholar Amir Khusro. Her films have been screened at important venues and film festivals in India and all over the world, including Berlin, Yamagata, Salzburg, London, Dublin, San Francisco, New York and Chicago.
Her most recent work (2014) is a compendium on the writings of Khwaja Ahmed Abbas, one of India’s foremost filmmakers and writers of the 1960’s. In 2010, her video installation Ethnography of a European city: Conversations in Salzburg, which questions some of the assumptions in the east west polarity/ dichotomy /disparity traveled to Berlin, Brussels, Zagreb, Vienna and Salzburg. In 2004, she completed a Brandeis International Fellowship Program, Recasting Reconciliation through Culture and the Arts, at the Brandeis University, Boston, and USA. In 2001, she was awarded the Asia Fellowship for her work in Sri Lanka, Intercommoned Relations and Education: The Sri Lankan Experience.
Since 2006 she is working in Kashmir on the issue of Enforced Disappearances in collaboration with the Association Of Parents Of Disappeared Persons (APDP), a collective of the family members of the victims of enforced disappearances in Kashmir, campaigning for information on the whereabouts of their disappeared kin. She very recently completed her documentary Khoon Diy Baarav (Blood Leaves its Trail) which explores issues of violence and memory in Kashmir- a society ravaged by a prolonged political conflict.
All are welcome. Entry - Free.
Fees: 300/- per person
After the Chai and Samosa break we talk about the Milky way, Wormholes, Black holes, stars the size of Earth and planets the size of the Sun.
Astronomy made easy in a fun and simple way.
Moderated by Prof. Najam, Head of Astronomy, OU and Dean of Academics (MANUU).
https://www.youtube.com/watch?v=KiJCXZv42Mw
Entry- free
Date - 5th December ( Saturday ) 2015
Time - 07:30 pm ( Duration of the play is 100 minutes )
Venue - LaMakaan, Banjara Hills, Rd No - 01,
Lamakaan - An Open Cultural Space
Donor Pass - Rs. 100/-
Book your ticket (s) on in.bookmyshow.com
CLICK ON - http://in.bookmyshow.com/hyderabad/plays/phandi/ET00006368
Cast & Crew
Actors - Krishna Shukla, Naren Yadav & Prashaant Sharma.
Design & Direction - Saurabh Gharipurikar
Lights - Ashish Meagh
For more details contact our production manager Ashish Meagh # 9494563573
Entry - Free
Mr. Durgam would like to state few points on the Kakatiya rule. In these 692 years, since the curtains were down on Kakatiya dynasty as Prataparudra was arrested in 1324; so many stories have been in circulation about Kakatiyas. Though, Kakatiyas rule was not that old, much research has not been done and importance not given so far to know the true facts.
After the Telangana state is formed, as TSPSC has included Kakatiya history in the curriculum, dialogue about the Kakatiya rule is greater now than ever before.
All are welcome.
Date : 06th Dec, 2015
Time: 7.30pm
Venue: Lamakaan
After many successful stand-up events and comedy plays, Samahaara calls out to all the Comedians out there - new, upcoming, pro! Sit down for an exclusive stand-up show and watch a range of comics test their skills out. Or come join the fun, it's an Open Mic after all. Most of the big guns in comedy today started out like this - discover the next big thing in comedy or be one yourself. For those who never miss out on a good laugh, Samahaara Stand-up Night promises to be one of laughter, music and masti.
As part of this campaign Rubaroo is organising a discussion through film screening to decode what Violence vis a vis Gender, means to people and how it is perceived by the masses.
Entry - Free
మంచ్ థియేటర్ మీ అందరి అనందం కోసం నవ్వుల మువ్వలు అంటూ మీ ముందుకు రెండు హాస్య నాటికలు తీసుకు వస్తుంది.
Swamy Kalynam is about a Father's plot against the plot of the boyfriend to win his daughter.
స్వామి కళ్యాణం : ఒక అమ్మాయి ని ఒక నిరుద్యోగిగా ఉన్న అబ్బాయి ఎలా పెళ్లి చేసుకోవాలని ప్లాన్ వేస్తాడు, ఆ ప్లాన్ ని అమ్మాయి తండ్రి ఎలా తిప్పి కొడతాడు, తనకి ఎలా కళ్యాణం చేస్తాడు అనే ఈ కథ నవ్వుల వర్షాన్ని కురిపిస్తుంది.
Nuvela ante ela is a play which shows the backstroke of a simple plan of a Lazy husband.
నువెలా అంటే అల : ఈ నాటకంలో ఒక బార్య బాధితుడు, తన బార్య పెట్టె కష్టాలనుంచి ఎలా బయట పదాలని అనుకుంటాడు, ఆ లక్ష్య సాదనలో ఎలా "నువెలా అంటే అల" అని అంటూ కడుపు చెక్కలు చేస్తాడు.
The Plays are written and Directed by Srikanth Banala and Kiran Abbaraju
Genre: Comedy, Drama
Language: Telugu
Book Your Tickets in BookMyShow or www.filmySphere.com
KINDLY NOTE - Tickets MANDATORY for attending the event. Please ensure you purchase your ticket using the below link http://www.meraevents.com/event/sshyd_dec .
Limited Seats.
Startup Saturday Hyderabad - December 2015 Theme: Structuring Equity in a Startup. With an ever evolving startup eco-system, we see a variety of new startups scripting success stories like never before. The number of people interested in starting up or joining a startup is growing rapidly. This brings with it a specific challenge - of Structuring the Equity. One of the most valuable aspects of a startup is the equity and not handling it with care can lead to disastrous consequences. Equity related disputes/challenges are far too common in a startup than we can ever imagine. It is a classic founders dilemma of "how much is too much!". In an effort to clear the air around structuring the equity, we bring to you a set of startup founders and eminent panelists who share insights on various aspects of Equity in a startup. PS: You may bump into some of the wisest brains while networking over yummy samosas! Agenda- 09:45 am - Registrations 10:10 am - Intros 10:20 am - Ecosystem Announcements (&Hyderabad4innovation.in/news) 10:30 am to 11:30 am - Featured Startups 11:30 am - Panel discussion with experts, accomplished entrepreneurs, and enablers. 12:30 pm - Networking For nominating panelist or startup speakers, write to us at hyderabad@headstart.in Tweet: #SSHYD @starthyd
A collection of photographs made at New York City while on a photography course at Columbia University. These photographs portray human solitude and longing; undiscovered Love; and an undiscovered self on the path to finding one's own reality. The collection was made by Puranjani Kabra, with guidance and inspiration from some brilliant photographers like Thomas Roma, Inbal Abergil and Kai McBride. I am studying literature at St. Francis College. I am a photographer and I've studied photography at Columbia University in New York city. I've recently started a photography and video company with a partner, called Project Sonder.
All welcome
Entry-Free
Nevertheless there is a revolution in online business where you see buy button on Social Media (Facebook, Instagram, LinkedIn, WhatsApp…etc.). Mobile transactions are skyrocketing.
The growth of mobile transactions is constantly and continually increasing. Let us discuss on lucrative online business with help of Payment Gateway.
Mataang, the epitome of manipulation, relegates his wife to a position of inferiority and subjugation tantamounting almost to the bonded position of Paatan. Religious traditions, under the preponderant influence of Hinduism, provide the ideological basis for patriarchy and assign women an inferior role in the family and society.
For passes: 9440543341
There is a poet on the streets of Delhi called ‘Vidrohi’ – the rebel. He roams around the old city, spouting Molotov cocktails of words.The citizen name of the ‘Vidrohi’ is Ramashankar Yadav, a raggedy old man from Sultanpur. Vidrohi is a title that has been conferred to Indian poets before, such as Kazi Najrul Islam and Damodar Swarup, but has it had such an organic development so as to overshadow the real name.
The subjects of his poems deal with universal struggle and suffering, imbued with socio-political perspectives. He uses historical places, times and names to constitute his subjects with historical relevance. There is a history behind each system of oppression and a game of constant manipulation to make people forget that history. Vidrohi’s poems fight against the politics of re-memory and re-interpretation by retelling and reconstructing the discourse of suffering.
His poems are mostly composed in Hindi. He uses everyday phrases in his poems to make them comprehensible to people from all walks of life, but even with ordinary words he creates powerful images, like a burnt corpse of a woman lying on the last step of Mohenjodaro, her corpse embodying the history of continuous exploitation and violence committed by imperialist powers all over the world. He also writes about the interconnectedness of class and gender oppression. Each of his poems deal with one powerful image around which he constructs the narrative.
Ramashankar Yadav is a people’s poet, a rebel at heart who carries on the legacy of poets like Kabir and Nagarjun. He spends most of his time around Delhi and inside Jawaharlal Nehru University’s campus. A former student of JNU, he was rusticated from the University for being part of a mass movement in the 80s. It was after this incident that he started living under the trees inside the campus. Away from his faraway home and wife, Vidrohi has chosen the life of a vagabond, roaming around with his bag full of the poetry of rebellion. There is no bitterness between his family members and himself for his chosen lifestyle of living on the streets. He lives off people’s kindness, living by the people he writes for, of which JNU students play a crucial part.
This film was to be on a poet and his poetry. It became a story of a person who lives a poem. We try to understand the person we see the poem, we try to understand the poetry; the poet comes and stands in front of us. And as we journey through the poetry and the poet, we end up with a mirror. In the mirror, a roughly-hewn life, small, innocent.... a dream-like existence, in the scrub forest, among the silent ruins, the old streets in the middle of the polis.
The poetry slowly shows us the way, and the way slowly becomes poetry Ramashankar Vidrohi has never written poetry, he speaks out poetry. He is poet of our unknown, unorganized, underground nation. He is the poet of those whose constituency is always bearing the cost of empire builders, the women, the children, and the billions who lie on the steps to the center of power structure.
Film has won International Award for Best Documentary at MIFF ( Mumbai International Documentary Festival 2011).
అది... ఢిల్లీ జవహర్లాల్ నెహ్రూ యూనివర్సిటీ (జేఎన్యూ) క్యాంపస్. వసతి గృహాలకు దూరంగా... దట్టమైన చెట్లపొదలు. ఓ చెట్టు కొమ్మకు ఏవో ప్లాస్టిక్ సంచులు వేలాడుతున్నయి. చెట్టు కింద... నిండా కంబలి కప్పుకొని నిద్రిస్తున్న మనిషి ఒకరు. పక్కన ఖాళీ సిగరేట్ పెట్టెలు. పక్షుల కిచకిచ శబ్ధాల నడుమ అతను నిద్రలేచాడు. ముడతలు పడిన శరీరం.... మురికి బట్టలు... బక్కపలచని దేహం. అతను గడిచిన మూడు దశాబ్ధాలుగా ఆ చెట్టు కిందే జీవిస్తున్నాడు. పేరు రాం శంకర్ యాదవ్(విద్రోహి). వయసు 50ఏళ్లపైనే ఉంటుంది. విద్యార్థులు ఉండే విశ్వవిద్యాలయంలో ఇతనేం చేస్తున్నాడనుకునేరు. ఆయన నిరంతర విద్యార్థి. 80ల్లో విద్యార్థిగా విశ్వవిద్యాలయంలో అడుగుపెట్టాడు. జీవితమంటే చదువొక్కటే కాదు... పోరాటం కూడా అని నమ్మాడు. చివరి వరకూ నమ్మినదాన్నే ఆచరించాడు. అవును... ఆ విద్యాలయంతో మూడు పదుల అనుబంధాన్ని చాలించుకొని డిసెంబర్ 8న తుదిశ్వాస విడిచాడు.
విద్రోహి సాధారణ విద్యార్థి మాత్రమే కాదు.. అతనో కవి.. సాంస్కృతిక కార్యకర్త. క్యాంపస్ లోపల, బయట... ఎక్కడ ఏ పోరాటం జరిగినా అక్కడ ప్రత్యక్షమవుతాడు. కవితా ప్రవాహాన్ని వెంట మోసుకెళ్తాడు. అలుపెరగని ఆ కవితాఝురికి ʹబ్రెయిన్ డెడ్ʹ బ్రేక్ వేసింది.
అతని కవిత్వం.. వివక్షను సవాల్ చేస్తుంది. సమాజపు వెకిలితనాన్ని వెక్కిరిస్తుంది. అవును.. కుల, మత, లింగ అణచివేతకు వ్యతిరేకంగా అతను కవితాగానం చేస్తాడు. ʹఆమెʹ కన్నీటిని ఆవేదనపూరితంగా ఆలపిస్తాడు. కుల వ్యవస్థను నిలదీస్తాడు. శ్రమజీవితాల్ని కీర్తిస్తాడు.
ఆయన ప్రజా కవి. జన జీవితపు కష్ట సుఖాల్ని తన కవిత్వంలోకి ఒంపి.... గానం చేస్తాడు. క్యాంటీన్లో చాయ్ తాగుతూ... మధ్య మధ్యలో గుప్పు గుప్పున ఓ సిగరేట్ కాల్చేసి తన కవితాలోకంలో మునిగిపోతాడు. క్యాంపసే అతని ప్రపంచం. బాదిత ప్రజలు, వాళ్ల పోరాటాలే అతని కవితా వస్తువులు. చరిత్రను తవ్వి తోడి దోషిగా నిలబెడతాడు. ʹఅది భారత్ కావచ్చు... బ్రిటన్ కావచ్చు... అమెరికా కావచ్చు... ఇరాన్ కావచ్చు. రాజ్యం ఎక్కడైనా... రాజ్యమే. ప్రజల పట్ల అది కర్కషంగానే ఉంటుందిʹ అంటాడు.
1983లో విద్రోహి విద్యార్థి ఉద్యమంలో క్రియాశీలకంగా పాల్గొన్న కారణంగా డిల్లీ జె. ఎన్. యూనివర్సిటీ నుంచి రెస్టికేట్ అయ్యాడు. కానీ అతను క్యాంపస్ వదిలి వెళ్లలేదు. “నా ఆత్మ ఇక్కడే ఉంది. నా ప్రేక్షకులూ ఇక్కడే ఉన్నారు” అంటూ తాను అక్కడే ఉండిపోయాడు. అతనికి క్యాంపస్లో ప్రతి ఒక్కరూ పరిచయం. విద్యార్థులు, అధ్యాపకులు అతనికి ఎంతో కొంత సాయం చేస్తుండేవారు. అలా క్యాంపస్నే తన ప్రపంచంగా మార్చుకున్న విద్రోహి... చాయ్, సిగరేట్, ప్రొయెట్రీతో.... ఎన్ని వేల రాత్రులు గడిపాడో అక్కడ. ఎన్నెన్ని హృదయాల్ని తట్టిలేపాడో. అలాంటి ఉద్యమ కవిని కోల్పోవడం నిజంగా బాధాకరం. కవీ... నీ జ్ఞాపకం శాశ్వతం. నీ గానం అజరామరం.
All are welcome to this evening of tribute.
We keep trying for our goals, we keep working for our dreams, we do choose different different ways to reach to our destinations and ultimately lands up in a situation where we have to leave our family, our culture, our city, our relations and sometime our values as well!!! And finally somehow we forget about our parents as well!!!
This play will revolve around the funny family members with Hyderabadi dialect and how they keep themselves busy with crazy and mad things. It will take you on the laughter ride through the funny Nok-Jhok between the Husband, wife and a servant. Beauty of the play will come out from the secret in last which will be revealed by the Servant.
Now, you must be thinking why we wrote whole philosophical paragraph in the beginning yeahh?? DO WATCH THE PLAY TO ABOUT IT.
In the face of the weaknesses that plague public education systems globally, privatisation in education is being strongly advocated by several 'experts' across the world. This discussion seeks to open a conversation around the question of whether privatisation is a solution or a problem. It will examine the effects of privatisation on the right to education, quality and equity in education, and the effects on curriculum and teaching.
Carol Anne Spreen is Associate Professor at New York University. Her research centers on political and sociocultural studies of education change, particularly the influence of globalization and corporate privatization on teaching and learning.
Sangeeta Kamat is Associate Professor at University of Massachusetts, Amherst. Her research centers on policy reforms in international education and their implications for the changing relations between state and civil society.
All are welcome.
Silly Point - India's first cricket based Stand Up Comedy Show.
Performed by Rohit Swain & Hriday Ranjan. Hosted by Rajasekhar Mamidanna.
For passes: 9177854713 or walk in
BookMyShow Link - http://in.bookmyshow.com/hyderabad/events/silly-point/ET00036684
Limited seats. Candidates interested in attending should have an intermediate level drawing or painting experience - no children under the age of 15 as it involves a serious level of discourse with a live model.
For consideration of your participation, please send a sample of any one of your art works via email to: lamakaan@gmail.com
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media.
This workshop is a compressed version of the class taught in New York at Society of Illustrators, NY. This workshop is based on the book "FIGURE IT OUT" by Umakanth Thumrugoti available at www.amazon.in
Instructor:
Umakanth Thumrugoti - Over twenty years of experience in animation, film, design and drawing, including a 15 year stint at Disney Feature Animation, Los Angeles.
Free admission. Limited seats. Candidates interested in attending should have an intermediate level drawing and/or painting experience - no children under the age of 15. For consideration, please send a sample of one of your works via email to: lamakaan@gmail.com
Material recommended:
HB or 2B charcoal pencils, newsprint pad 18X24 smooth finish, kneaded Eraser, X-Acto knife, sandpaper.
For inquiries: call 9642731329
Happening twice a year in your region, Global Pioneers embraces the local entrepreneurial ecosystem and transforms it into a global community by connecting all the regional ecosystems.
Pioneers Hyderabad 2015 is the second edition of Pioneers in Hyderabad after our last stint in ISB Hyderabad in November 2014. The speakers last year were Karuna Gopal (President at Foundation for Futuristic Cities), Balaji Utla (CEO-HMRI), Murali Talasila (Partner-PWC), Sasidhar Nandigam (Hyderabad Angels), Hariharan S. Raman (Head - Business Enablement & Support, Tata Docomo), Keerthi Boddupally (PhD Candidate at University of Southern California), Krishna Sagar (Telangana State Head of BJP), Aditya Vuchi (Founder of Zippr), Ashhar Farhan (Owner at Hotfoon.com & Trustee at Lamakaan), Sam Rufus (CEO, Mxit India).
Watch more glimpses from Pioneers Hyderabad 2014 here: https://www.youtube.com/watch?v=H8yUIzfmZ80
Agenda
9.45 AM: Attendees Walk in
10.00 AM: Welcome Note : Daniel Pitcher (Pioneers Team)
10.15 AM: Anurag S Rathor (Journey of Zify.co) - https://www.linkedin.com/in/anuragrathor
10:35 AM: Karthik Venkat (eSparsha to MyDreamStore) - https://in.linkedin.com/in/karthik-venkat-85a14b22
10.55 AM: Startup pitches - Vol I (6 Startups)
12.00 PM: Rajive Dhavan (STFU - Start The F Up: For Startups and SMEs) - https://in.linkedin.com/in/rajivedhavan
12.20 PM: Funding 101 Panel Discussion
1.00 PM: Lunch & Networking
Are you a startup? Apply to pitch on stage by December 16 & get a chance to join us at Pioneers Festival for free!
Startups apply here: https://pioneers.io/piobay/login/pioneers-hyderabad-apply-to-pitch
For sponsorships and other details reach out to Harish Kotra on +91-9618035273
Adaptation and Direction: Swapan Mondal
Play :Ek Saam Premchand Ke Naam
Synopsis
The play is an amalgamation of two of Premchand’s stories, ‘Kafan’ and ‘Sadgati’. Both explore death in unlikely circumstances and play themselves out with unexpected twists and turns, all laced with the author’s humanist, equalitarian and socialist ideas. The two stories recreate the vivid reality of the Dalits, exposing pretensions and complacencies of dominant, feudal and patriarchal social forces.
The stories, that reveal the extraordinary range of Premchand’s writing, are blended together in a non-linear yet seamless narrative using ‘Burra-Katha’ - a performance art rooted in traditional storytelling, dance movement, and music in Andhra and Telangana regions.
About the author
Premchand (1880-1936) was the author of numerous short stories, novels and a play. Some of his best known works include Godan (1936), Rangabhumi (1925), Nirmala (1928), Gaban (1931) and Karmabhumi (1932). He wrote both in Hindi and Urdu.
Donor passes: Rs. 50/-(each)9440543341
This event is organised by Sphoorthi Theatre for Educational Puppetry, Art and Craft-STEPARC.
Entry Fee-Rs 500/-
Contact: +91-9866081172 / +91-8985759361
sphoorthitheatre@gmail.com
Date - 20th December ( Sunday ) 2015
Time - 07:30 pm ( Duration of the play is 100 minutes )
Venue - LaMakaan, Banjara Hills, Rd No - 01,
Lamakaan - An Open Cultural Space
Donor Pass - Rs. 100/-
Book your ticket (s) on in.bookmyshow.com
Cast & Crew
Actors - Krishna Shukla, Naren Yadav & Prashaant Sharma.
Design & Direction - Saurabh Gharipurikar
Lights - Ashish Meagh
For more details contact our production manager Ashish Meagh # 9494563573
Documentary screening and Panel Discussion
Organized by
Food Sovereignty Alliance, India
In 2015, Hyderabad saw the entry of several new dairy brands, like Amul, Nandini, Parag, Narmul, etc, selling milk at incredibly low prices. Whilst consumers in the city celebrated this apparent bonanza, unbeknown to them, at the same time, small farmers, who produce the milk, were literally pouring milk onto the roads in utter despair: Companies and Cooperatives had drastically reduced the prices at which they were purchasing milk, were paying them far below their cost of production and were turning back their milk, Whilst milk producers are being paid Rs18-20/litre of cows milk (a bottle of mineral water today costs Rs 20/litre) , they expend Rs 28-30 to produce that litre of milk.
Many consumers began to pressure small vendors who deliver their fresh milk, to reduce the price, or said they would shift to cheaper “brand” milk. Reducing the price, would once again result in vendors and small farmers being thrown out of their livelihoods.
What is the story of this cheap milk? Why are small farmers who produce the milk we drink being driven out of their livelihoods? Do brands matter? Is packet milk different from fresh milk delivered by milkmen? Why does the dairy boom in India spell the deathknell for small farmers ? There is an urgent need to understand the milk we drink, from “grass to glass”.
This panel discussion will focus on understanding the current paradox of cheap milk for consumers, whilst farmers are driven to debt, and pushed out of production. Farmers of AP and Telangana, milk vendors, dairy processors and co-producers will discuss these realities.
A documentary produced by the Food Sovereignty Alliance - “Killing Our Livelihoods: The Juggernaut of Industrial Dairy Market” will be screened.
Entry - free
Entry-Free
A night of 3 comedy short plays
To give a laughter ride to the audience through satire on the social issues.
SAUTAN KE JHUMKE
Written and Directed by Surender Sahil Varma.
Cast: Akshat Ajay Sharma and Madhuban Mukherjee
PAGAL PAGAL PATA CHALA HAI
Written by- Surender Sahil Varma.
Directed By- A Sunjit Rao
Cast: Amit Sharma, Raviraj Kulkarni and Rajnish Songara
PEHCHAN KAUN
Written by Surender Sahil Varma.
Directed by Krishna Shukla
Cast: A Sunjit Rao and Surender Sahil Verma
WHEN: 8 PM, Thursday 24st December' 2015
WHERE: Lamkaan, Opposite GVK Mall, Bajara Hills.
DURATION: 60 Minutes.
Donors Pass- Rs 100/-
For details please contact- Surender (+91-8125628789)
Poster Designed By: 'Nippo Nagraj'
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